Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
Nora’s process of painting is layered. She adds acrylic mixes, matte medium, salt and sand to provide a texture of foundation to her Clay Board. When these layers dry they become a layer for her revelatory rubbing technique of oils. She also etches into the clay or removes areas of paint to create more depth,
I work as a contract teaching artist, most recently with the Grandville Avenue Area Arts program. I also tutor and mentor privately in a warehouse- based studio that I maintain. IÂ had become fascinated with the topic of visual perception which I autodidactically studied, eventually getting to a point where I developed presentations that pulled together
I work as a contract teaching artist, most recently with the Grandville Avenue Area Arts program. I also tutor and mentor privately in a warehouse- based studio that I maintain. IÂ had become fascinated with the topic of visual perception which I autodidactically studied, eventually getting to a point where I developed presentations that pulled together
Charles is a Michigan native who has drawn inspiration from his travels outside the Great Lakes State, but who relishes the forms and colors of his home state. He moved from his home town of South Haven to Grand Rapids to attend the then- called Kendall School of Design, as an Illustration major. He has
I work as a contract teaching artist, most recently with the Grandville Avenue Area Arts program. I also tutor and mentor privately in a warehouse- based studio that I maintain. IÂ had become fascinated with the topic of visual perception which I autodidactically studied, eventually getting to a point where I developed presentations that pulled together
I work as a contract teaching artist, most recently with the Grandville Avenue Area Arts program. I also tutor and mentor privately in a warehouse- based studio that I maintain. IÂ had become fascinated with the topic of visual perception which I autodidactically studied, eventually getting to a point where I developed presentations that pulled together
I work as a contract teaching artist, most recently with the Grandville Avenue Area Arts program. I also tutor and mentor privately in a warehouse- based studio that I maintain. IÂ had become fascinated with the topic of visual perception which I autodidactically studied, eventually getting to a point where I developed presentations that pulled together
I work as a contract teaching artist, most recently with the Grandville Avenue Area Arts program. I also tutor and mentor privately in a warehouse- based studio that I maintain. IÂ had become fascinated with the topic of visual perception which I autodidactically studied, eventually getting to a point where I developed presentations that pulled together
I work as a contract teaching artist, most recently with the Grandville Avenue Area Arts program. I also tutor and mentor privately in a warehouse- based studio that I maintain. IÂ had become fascinated with the topic of visual perception which I autodidactically studied, eventually getting to a point where I developed presentations that pulled together
I work as a contract teaching artist, most recently with the Grandville Avenue Area Arts program. I also tutor and mentor privately in a warehouse- based studio that I maintain. IÂ had become fascinated with the topic of visual perception which I autodidactically studied, eventually getting to a point where I developed presentations that pulled together
I work as a contract teaching artist, most recently with the Grandville Avenue Area Arts program. I also tutor and mentor privately in a warehouse- based studio that I maintain. IÂ had become fascinated with the topic of visual perception which I autodidactically studied, eventually getting to a point where I developed presentations that pulled together